Looking into how a greater pitch affects the painting/form relationship is the inception of this series. The optical illusion that the far plane is greater in width than the closer plane when viewed from the side and that the whole form collapses to flat when viewed from the front is why this form interests me. But the painting and interaction between the various woods is where the emotion lies...this is what I am really after.

Pitch Series 28
2022
ambrosia maple, barn wood, painted OSB and pine
16x22x6"
Installation at Boulder Museum of Contemporary Art
Pitch 17
2021
paint and glitter on OSB, pine and curly maple
18x22x7
Pitch 20
2021
paint on chip board and ash and maple
18x22x7
Pitch 5
2020
painted plywood, chip board and found wood
15x22x6"
Pitch 10
2020
painted pine, chip board and barn wood
16x22x6"
Pitch 6
2020
painted chip board and pine
16x22x6"
sold
Pitch 13
2020
paint on barn wood, nails, plywood and ribbed pine
22x15x6"
Pitch 12
2020
painted ribbed pine, sticks and found wood
23x16x6
sold
Pitch 27
2021
paint on Oriented Strand Board, cherry & found wood
16x22x7"
Pitch 9 on left, and Pitch 8 on Right
2020
painted pine, chip board and barn wood
22x15x6
Both sold
Pitch 11
2020
painted pine, and barn wood
16x22x6"
Pitch 26
2021
paint on pine, OSB and found wood
16x22x7"
Pitch 15
2020
painted plywood, ash and found wood
16x22x6"
Pitch 23
2021
paint and glitter on Oriented Strand Board, & maple
18x22x7"
Pitch 16
2020
painted chip board, ash and found wood
20x22x7"
Pitch 2
2020
side view, maple, found wood, painted chip board, and ribbed pine
22x15x6"